27 September, 2020

The Cavafy Of Colaba

Since this review was written, the literary world of Marathi and English suffered a grievous blow in the passing of Arun Kolatkar...

Madhu Kapparath
The Cavafy Of Colaba
outlookindia.com
-0001-11-30T00:00:00+05:53
(Since this review was written, the literary world of Marathi and English suffered a grievous blow in the passing of Arun Kolatkar. It’s not given to too many writers to be immaculately bilingual. His was a poetry of close observation of ordinary life transformed by a unique poetic vision.)

Nothing, it seems, pleases Arun Kolatkar more than less. His latest collection, Kala Ghoda Poems, is an expression of form born of great economy of means. And a wonderful entity he makes of it, too. Most of it centres on a single place in Mumbai named after something no longer there. It’s a meeting point of six roads once dominated by a statue of Edward VII, Emperor of India. Bronze. Equestrian. Kala Ghoda. The statue has gone but we still call it that. The linkages Kolatkar constructs are of the city here and now—a lamentation sometimes, but always a transforming observation.

Virtually all the 28 poems are sequences of "triads", verses of three lines. At no point does form hinder meaning or music. The very first poem gives a sense of what awaits us. A reflection...

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