24 November, 2020

Shakespeare Baboo

Pavan Varma’s inveighing against a baleful colonial influence is rooted in the Hindi sphere’s fragile ego

Tribhuvan Tiwari
Shakespeare Baboo
outlookindia.com
-0001-11-30T00:00:00+05:53

The cover of Pavan Varma’s charmingly polemical book is intended to be a photographic caricature. It portrays a man wearing a white silk kurta and red-bordered dhoti over a pair of black argyle socks and Oxford shoes. The apparent incongruity between the attire and the footwear encapsulates the book’s central thesis: Indian identity has been distorted and made ridiculous by colonialism.

It’s an old argument. From Franz Fanon to Edward Said and Ashis Nandy, and from Gandhi to Golwalkar, scholarship and politics has often damned the imperial inheritance as a hideous perversion that affected both the coloniser and the colonised.

For Varma, the colonial inheritance remains a curse. An obsessive preoccupation with the English language and western sensibilities has marginalised indigenous culture, warped intellectual development, sullied art and aesthetics, and transformed India into a nation of philistines. India is unworthy of a leadership role because the national psyche has been built on “borrowed plumes and...

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